![]() ![]() ![]() If you’re the type of listener who puts his iPod on shuffle, this shouldn’t bother you and there’s nothing wrong with that. Everything that follows the tape’s first half is great both musically and lyrically but none of it is relevant. Had “Funeral” closed out the mixtape and “Colors and Shapes” existed as a hidden bonus track, we’d be talking about the potential tape of the year– a fully fleshed-out concept album that hits every possible thematic note. ![]() #Mac miller the spins download 1 macThe narrative structure of the album goes a little something like this: Mac has made it big all on his own (“Here We Go”) Mac uses his newfound wealth to get high which ironically helps him make more relatable music (“Friends”) Mac tries getting back in the studio but is constantly beckoned by his addiction to go out and do more drugs (“Angel Dust”) the drugs pull Mac back in (“Malibu,” “What Do You Do?”) fame still has its perks despite his problems (“Therapy,” “Polo Jeans”) fame takes a backseat to Mac’s addition (“Happy Birthday) a woman enters Mac’s life that makes him regret his ways (“Wedding”) until she leaves him alone, Mac is on his final days (“Funeral”). While nothing feels like filler, about half of it feels like an afterthought. Clocking in at an hour and thirty minutes, the mixtape has enough material to warrant a double-disc release. That’s talent.Īll progress aside, Faces isn’t without fault, namely: it’s too damn long. (whose “Sookie Now” Miller references on “San Francisco”), Mac could retire his solo career altogether and still be making moves behind the scenes. Like a small-time Kanye West or Big K.R.I.T. Speaking of the instrumentals, can we talk about how much Miller has grown as a producer? Rhymes aside, these are album-quality beats that every artist in the industry should be jumping on. Over some of his most extravagant production to date, Miller speaks on celebrity, drug use, depression and, most frequently, how all three intersect. “Should have died already,” he opens on “Inside Outside.” “Came in and I was high already.” The intro track is fairly representative of the themes and sound pursued by the album as a whole. As such, it may just be the most compelling work he has ever put out. Faces is an accumulation of everything Miller has learned over the past few years of experimentation. His sophomore LP and especially his Delusional Thomas mixtape debut showcased an artist who was willing to shed the radio-friendly image his spent so long cultivating and become a success on his own terms. Responding to the negative reception, Miller turned to drugs and-definitely not endorsing drug use here-found himself. His debut album, Blue Slide Park, had a few hit singles but mostly it emphasized the shallow nature of his music. Miller hadn’t grown into his own person just yet. He sold out shows, sure, but critics and conservative hip-hop heads alike wrote him off as an “I Love College” era Asher Roth knock-off. A pale Jewish kid from Pittsburg, the Rostrum Records signee first blew up on the scene in 2010 with his frat-tastic K.I.D.S. Then she opened her mouth and silenced all haters. Before she even gets an opportunity to sing, the crowd is halfway out their seats with laughter. Have you ever seen the viral video of Susan Boyle performing for the first time on Britain’s Got Talent? A superficially unattractive older woman walks out onto the stage to perform a song before hundreds of people and four judges. ![]()
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